Posts tagged ‘Post modern’

14 February, 2011

Slow learner – $180

by rgonzalezr

  • Paperback: 208 pages
  • Publisher: Back Bay Books; First Edition edition (April 30, 1985)
  • Language: English

Published in 1984, this contains five of the author’s early stories written between 1958 and 1964 along with an introduction. All five of the pieces … have unusual narrative vigor and inventiveness. Each establishes its own special mood … and each contains its moments of Pynchonesque comedy.

 

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14 February, 2011

Vineland – $180

by rgonzalezr

  • Paperback: 400 pages
  • Publisher: Penguin Classics (September 1, 1997)
  • Language: English

A spaced-out story of Zoyd Wheeler’s passion for Frenesi Gates finding fulfilment in his love for their daughter, Prairie. It has been described as “a meditation on myth-making – historical, personal, cinematic and televised”. By the author of “V”, “The Crying of Lot 49″ and “Gravity’s Rainbow”. –This text refers to an out of print or unavailable edition of this title.

Thomas Pynchon is the author of V., The Crying of Lot 49, Gravity’s Rainbow, Slow Learner, Mason & Dixon and, most recently, Against the Day. He won the National Book Award for Gravity’s Rainbow in 1974

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13 February, 2011

Atrocity Exhibition (Re-Search Series) – $300

by rgonzalezr

  • Paperback: 140 pages
  • Publisher: V/Search; Revised edition (July 1990)
  • Language: English

Easily one of the 20th century’s most visionary writers, J. G. Ballard still lives far ahead of his time. Called his “prophetic masterpiece” by many, The Atrocity Exhibition practically lies outside of any literary tradition. Part science fiction, part eerie historical fiction, part pornography, its characters adhere to no rules of linearity or stability. This reissued edition features an introduction by William S. Burroughs, extensive text commentary by Ballard, and four additional stories. Of specific interest are the illustrations by underground cartoonist and professional medical illustrator Phoebe Gloeckner. Her ultrarealistic images of eroticism and destruction add an important dimension to Ballard’s text.

‘I would argue that “The Atrocity Exhibition” represents the zenith of the experimental novel in English. But Ballard’s marginalia are a tour de force, a wholly original work in their own right. One can hear Ballard’s voice as he offers a surreal evening class on his own work, life and preoccupations. This one is a must.’ Will Self, Time Out ‘Brilliant and unnerving!a writer with talent to burn.’ The Times ‘These stories — “condensed novels”, Ballard has called them — are a high-water mark in English experimental fiction.’

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