30 September, 2011
by rgonzalezr

- Paperback: 480 pages
- Publisher: Oxford University Press, USA; 1 edition (October 16, 2003)
- Language: English
- ISBN-10: 019515343X
“This is an extraordinary book. Consciousness is a swamp, a hornet’s nest, a morass of competing theories and rival projects. It takes guts to put together a book like this one that seeks to present a truly general overview of the literature, ranging from philosophy of mind, through discussions in the fast-developing field of cognitive neuroscience, to the hot and fraught issues of the paranormal, lucid dreaming, and altered states of consciousness. Sue Blackmore carries off this ambitious project! There are lots of people who are expert in one, two or three of the areas she discusses, but almost no one who is deeply conversant, as she appears to be, with all of them.”–Alva Noe, University of California, Berkeley
If you’ve ever driven along a highway and suddenly realized that you have no memory of how you just got to a certain point, then you have some idea of what it’s like to be “in” and “out” of consciousness. Understanding the difference is the crux of Consciousness: An Introduction, which examines the scientific nature of subjective experience. Susan Blackmore, a former lecturer in psychology at the University of the West of England in Bristol, casts a wide net in exploring what she calls “the last great mystery of science.” She painstakingly documents the evolution of consciousness studies, from the pioneering work of William James to the controversial, contemporary work of Daniel C. Dennett of Tufts University, who maintains that consciousness is a complex of “memes”—verbal and written information that is transferred from person to person. Then she marches through a host of other topics, including how subjective experiences arise from objective brain processes; altered states; and mystical experiences and dreams. To offset this weightiness, Blackmore periodically invites the reader to participate in interesting practice exercises with titles such as “Was this decision conscious?” and activities such as “Blind for an hour” that sharpen selfawareness. “Some of you will enjoy the self-examination and find the science and philosophy hard,” she writes of her approach. “Others will lap up the science and find the personal inquiry troubling or trivial. I can only say this: both are needed.” Blackmore also strikes a balance in showing how Western and Eastern philosophies view consciousness. Parts of this discussion may seem too difficult to grasp, but she is not after black-and-white conclusions; she is bold enough to leave some questions unanswered. Blackmore’s best chapters come in the latter part of the book. Her analyses of the effects of brain damage on consciousness are fascinating in their human detail. She does get sidetracked by devoting three short chapters to the possibility of consciousness in robots, even though a machine’s total lack of subjectivity would appear to make a prolonged analysis beside the point. But she redeems herself with an amusing anecdote that underscores how even the best intentioned scholars can get carried away by their own theories. When computer scientist John McCarthy of Stanford University claimed that his thermostat had a belief system, philosopher John Searle of the University of California at Berkeley immediately asked, “John, what beliefs does your thermostat have?” McCarthy’s reply was both clever and courageous: “My thermostat has three beliefs. My thermostat believes that it’s too hot in here, it’s too cold in here and it’s just right in here.”
Posted in Ciencia |
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30 September, 2011
by rgonzalezr

- Paperback: 224 pages
- Publisher: Creation Books (November 15, 2009)
- Language: English
- ISBN-10: 1840681535
Starting with the guerrilla media tactics of Industrial music in the late 1970s, the author charts an ongoing trend in electronic music: an increasing amount of sonic quality, recorded output and international contact, accomplished with a decreasing amount of tools, personnel, and capital investment. From the use of laptop computers to create massive avalanches of noise, to the establishment of micro-nations populated largely by sound artists, 21st century sound culture is expanding in its scope and popularity even as it shrinks in other respects. Numerous exclusive interviews with leading lights of the field were also conducted for this book: William Bennett (Whitehouse), Peter Christopherson (Throbbing Gristle / Coil), Peter Rehberg (Mego), John Duncan, Francisco López, Carl Michael von Hausswolff, Bob Ostertag and many others weigh in with a diversity of thoughts and opinions that underscores the incredible diversity to be found within new electronic music itself.
Thomas Bey William Bailey, born 1977 in Madison Wisconsin, is a multi-disciplinary artist with heavy emphasis on sound, and a pervasive interest in the problems of saturation / congestion culture. He is a recording and performance artist, as well as a journalist for magazines such as The Wire, His Voice, Static and Hz-. He now lives in Chicago.
Posted in Música |
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30 September, 2011
by rgonzalezr
- Broché: 128 pages
- Editeur : Editions du Rouergue (31 août 2009)
- Collection : DoAdo Noir
- Langue : Français
Sur le papier, c’est un voyage scolaire en Espagne, dans le cadre d’un projet pédagogique qui devrait permettre aux élèves de se familiariser avec leur deuxième langue vivante et de découvrir la vallée de l’Aragon. Sauf que ça vire au cauchemar. En pleine nuit, au coeur des Pyrénées, le bus quitte la route et bascule. Une chute vertigineuse et un amas de corps broyés entre la tôle et le granit. Quelques rescapés s’extirpent des décombres. Ils croient avoir échappé au pire. Mais ils confondent la fin et le commencement. Car trois sauvages sanguinaires surgissent des ténèbres…
Né en 1972 à Bordeaux, Guillaume Géraud vit désormais à Marseille. Il est l’auteur au Rouergue d’une quinzaine de livres, dont Je mourrai pas gibier (2006, prix Sorcières, adapté en bd par Alfred chez Delcourt, 2009), La Brigade de l’oeil (2007) et Le Contour de toutes les peurs (2008). Passionné de cinéma, il nous offre avec Déroute sauvage un hommage au film gore.
Posted in Francés, Misterio |
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27 September, 2011
by rgonzalezr

- Paperback: 384 pages
- Publisher: Basic Civitas Books (January 9, 2007)
- Language: English
- ISBN-10: 0465009093
In this wide-ranging, academic anthology of essays, interviews and panel discussions, 2005 American Book Award–winner Jeff Chang (Can’t Stop, Won’t Stop) presents hip-hop’s past, present and future as seen by some of its founding figures, guiding lights, journalists and scholars. From a post–civil rights era grassroots phenomenon born in the streets of the Bronx, N.Y., hip-hop has become a global cultural movement whose stylistic impact and social perspectives clearly extend beyond popular rap music. Part manifesto, part apologia, the collection takes on such topics as the aesthetics behind hip-hop photography and graffiti, offers an informative history of hip-hop dance and assesses hip-hop’s effects on literature and theater, while pursuing debates about identity, sexuality and homophobia. Especially intriguing are pieces documenting hip-hop’s sociopolitical influence in Cuba (Chang’s interview with filmmaker Eli Jacobs-Fauntauzzi) and South Africa (an essay by Capetown natives Shaheen Ariefdien, performer/anthropologist, and Nazli Abrahams, an educator). Not surprisingly, amid talk about “keepin’ it real” and multiculturalism, multiple definitions of hip-hop emerge—ideas and values that are as varied and contradictory as the book’s attempt to critically scrutinize hip-hop in context.
Posted in Hip-Hop, Música |
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27 September, 2011
by rgonzalezr

- Paperback: 168 pages
- Publisher: North Point Press (January 1, 1982)
- Language: English
- ISBN-10: 0865470804
A good introductory text by one of the founding fathers of American Zen, this covers the basic teaching of Zen, including an emphasis on proper meditation practice.
“I welcome with great pleasure Robert Aitken Roshi’s introduction to Zen practice, Taking the Path of Zen. I feel this will be a valuable source of information and inspiration both for those who have a passing interest in the subject and those who have determined to set out on the path of Zen themselves.
As an American who has trained in Zen practice for many years Aitken Roshi has a special understanding of the problems and questions which plague Western students of Zen. His book will thus be a godsend for people who have sought an introduction to Zen in their own language, free of the foreignisms that cultural differences can produce.
It is my sincere wish that this work will gain the wide readership it so deserves.”
–Yamada Koun Roshi
Posted in Budismo, Zen |
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26 September, 2011
by rgonzalezr
- Hardcover: 128 pages
- Publisher: Princeton University Press (August 16, 2010)
- Language: English
- ISBN-10: 0691147248
“Intro to Poetry Writing is always like this: a long labor, a breech birth, or, obversely, mining in the dark. You take healthy young Americans used to sunshine (aided sometimes by Xanax and Adderall), you blindfold them and lead them by the hand into a labyrinth made from bones. Then you tell them their assignment: ‘Find the Grail. You have a New York minute to get it.’”–The Poetry Lesson
The Poetry Lesson is a hilarious account of the first day of a creative writing course taught by a “typical fin-de-sicle salaried beatnik”–one with an antic imagination, an outsized personality and libido, and an endless store of entertaining literary anecdotes, reliable or otherwise. Neither a novel nor a memoir but mimicking aspects of each, The Poetry Lessonis pure Andrei Codrescu: irreverent, unconventional, brilliant, and always funny. Codrescu takes readers into the strange classroom and even stranger mind of a poet and English professor on the eve of retirement as he begins to teach his final semester of Intro to Poetry Writing. As he introduces his students to THE TOOLS OF POETRY (a list that includes a goatskin dream notebook, hypnosis, and cable TV) and THE TEN MUSES OF POETRY (mishearing, misunderstanding, mistranslating . . . ), and assigns each of them a tutelary “Ghost-Companion” poet, the teacher recalls wild tales from his coming of age as a poet in the 1960s and 1970s, even as he speculates about the lives and poetic and sexual potential of his twenty-first-century students. From arguing that Allen Ginsberg wasn’t actually gay to telling about the time William Burroughs’s funeral procession stopped at McDonald’s, The Poetry Lesson is a thoroughly entertaining portrait of an inimitable poet, teacher, and storyteller.
Posted in Poesía |
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26 September, 2011
by rgonzalezr

- Paperback: 320 pages
- Publisher: Beacon Press; 20 Anv edition (December 12, 1997)
- Language: English
- ISBN-10: 0807010391
The classic work on the history and beliefs of the Rastafarians, whose roots of protest go back to the seventeenth-century maroon societies of escaped slaves in Jamaica. Based on an extensive study of the Rastafarians, their history, their ideology, and their influence in Jamaica, The Rastafarians is an important contribution to the sociology of religion and to our knowledge of the variety of religious expressions that have grown up during the West African Diaspora in the Western Hemisphere.
Removes the aura of bizarre mystery from the Jamaican messianic movement whose members smoke marijuana for ritual purposes and believe that Ethiopia is the Promised Land for all blacks. Setting the Rastafarians in the context of . . . colonial exploitation, Barrett shows how the cult has been nourished on grinding poverty, examines its belief system, dynamics, rituals, art and music, and its ‘ambivalent routinization’ within Jamaican society. . . . Students of religion and sociology, fans of reggae music, and the general reader will gain much from this unusual study. –Publishers Weekly
“The most thorough, careful consideration of the Rasta phenomenon available to the general reader.” –Boston Phoenix
“Barrett’s account is authoritative and original; it is a work for the serious student of culture, religious sects and Caribbean studies. . . An important contribution.” –Folklore Review
“Leonard Barrett’s The Rastafarians stands as the most solid, complete treatment available in this country to date.” –New Age
Posted in Historia |
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26 September, 2011
by rgonzalezr

- Paperback: 225 pages
- Publisher: Commonwealth Books, Black Widow (June 15, 2008)
- Language: English, French
- ISBN-10: 0979513790
In 1908 a small volume of poetry was published in Paris by an unknown author named A. O. Barnabooth-who in fact did not exist. Only after the book received favorable reviews by major French writers and critics did its real author, Valery Larbaud, step forward to claim Barnabooth as his alter ego. The revised and expanded 1913 edition of the book, with Larbaud credited as its author, has become a classic, eventually being included in the esteemed Pleiade series of books devoted to great French writers and has remained in print in France for almost 100 years now. In The Poems of A. O. Barnabooth Larbaud expresses an ambivalent yearning for exotic places where one might be exalted by both the sadness and the beauty of life. He is fascinated by otherness. But, as Rimbaud put it, I is another. Larbaud/Barnabooth says, I always write with a mask upon my face. but sometimes this mask dissolves. Larbaud’s modulation between cynical despair and the simple pleasures of everyday life bare the mercurial heart of a young poet fascinated by the mystery of identity, making The Poems of A. O. Barnabooth the marvelous and modern book that it is. This current bilingual edition, translated by the poets Ron Padgett and Bill Zavatsky, includes an introduction, additional poems by Larbaud, period post card illustrations, and detailed notes for all the poems.
Posted in Poesía |
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25 September, 2011
by rgonzalezr

In an important and original work of cultural history, New Republic dance critic Homans places ballet–an art often viewed as hermetic and esoteric–in the larger context of the times and societies in which it evolved, flourished, and flagged, only to be revitalized by an infusion of fresh ideas. That revitalization could come from a ballet master like Jean-Georges Noverre, presented by Homans as an important Enlightenment figure whose ideas on reforming ballet were consonant with those of Diderot on reforming theater. Renewal came from the genius of dancers like Marie Taglioni, the incarnation of romanticism, whose originality, Homans indisputably shows, reached far beyond dancing up on her tippy-toes. But in a closing section that will be hotly debated, this exhilarating account sounds a despairing note: “ballet is dying,” she declares. Not only is the creative well running dry and performances dull, but more crucially, Homans sees today’s values as inimical to those of ballet. Her cultural critique, as well as her expansive and penetrating view of ballet’s history, recommend this book to all readers who care about the history of the arts as well as their present and possible future. Color and b&w illus.
- Hardcover: 672 pages
- Publisher: Random House; 1St Edition edition (November 2, 2010)
Posted in Arte, Danza, Historia |
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25 September, 2011
by rgonzalezr
- Paperback: 224 pages
- Publisher: Oxford University Press, USA; 1st Paperback Edition edition (December 7, 2006)
- Language: English
- ISBN-10: 0199204160
“Indeed, many researchers will wish they had had this volume before publishing their own work, not because it presents startling new findings that will undermine what has come before, but because the work is so precise, and lays out the terrain so clearly, that it is now possible to see what should have been said all along.”–
Philosophical Psychology
How the Body Shapes the Mind is an interdisciplinary work that addresses philosophical questions by appealing to evidence found in experimental psychology, neuroscience, studies of pathologies, and developmental psychology. There is a growing consensus across these disciplines that the contribution of embodiment to cognition is inescapable. Because this insight has been developed across a variety of disciplines, however, there is still a need to develop a common vocabulary that is capable of integrating discussions of brain mechanisms in neuroscience, behavioral expressions in psychology, design concerns in artificial intelligence and robotics, and debates about embodied experience in the phenomenology and philosophy of mind. Shaun Gallagher’s book aims to contribute to the formulation of that common vocabulary and to develop a conceptual framework that will avoid both the overly reductionistic approaches that explain everything in terms of bottom-up neuronal mechanisms, and inflationistic approaches that explain everything in terms of Cartesian, top-down cognitive states.
Gallagher pursues two basic sets of questions. The first set consists of questions about the phenomenal aspects of the structure of experience, and specifically the relatively regular and constant features that we find in the content of our experience. If throughout conscious experience there is a constant reference to one’s own body, even if this is a recessive or marginal awareness, then that reference constitutes a structural feature of the phenomenal field of consciousness, part of a framework that is likely to determine or influence all other aspects of experience. The second set of questions concerns aspects of the structure of experience that are more hidden, those that may be more difficult to get at because they happen before we know it. They do not normally enter into the content of experience in an explicit way, and are often inaccessible to reflective consciousness. To what extent, and in what ways, are consciousness and cognitive processes, which include experiences related to perception, memory, imagination, belief, judgment, and so forth, shaped or structured by the fact that they are embodied in this way?
Posted in Ciencia, Filosofía, Psicología |
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